Versions of Romeo and Juliet Essay Example For Students

Versions of Romeo and Juliet Essay The version which sticks closer to the play is Zefferellis version. Its more like what the scenery was like when it was written and would of take place then. The one that was more successful in my opinion is the Lurmans version, its more modern and more enjoyable to watch. I prefer Lurhmans simply because it is basically modern. I dont think I would be able to watch and enjoy Zefferellis because of the scenery and how old it is. Lurhmans is better to enjoy and would rather by me because new is better. Zefferellis can offer the background clothes and language used in his version. Lurhmans it again modern in his version. In his version they use props and clothes that we use today. The buildings in Zefferellis are palaces and castles and are replaced by buildings and office blocks. We will write a custom essay on Versions of Romeo and Juliet specifically for you for only $16.38 $13.9/page Order now The costumes and props used in Zefferellies film the period i.e swords and daggers and period clothing. Lurhmans they replaced swords with guns as well as replacing horses with cars. Costumes where what we wear today. The music in each version are what you would hear in that time. Zefferellis version, the music that was played was by a single hand trumpet and the type of tune played was dictated by the scene on screen i.e slow for conversations and fierce for fight scenes. Lurhmans soundtrack was orchestral instruments of operatic voices through other types of music i.e dance music, rock music for party scenes and background radio of a modern type was used. The scenery and settings of the play were changed, the palaces and mansions of old Verona were replaced with modern buildings and office blocks. They are very different from each other. Zefferellis had little fruit stalls and someone behind selling the fruit. In Lurhmans version is basically replaced with shops selling a lot more than fruit. The interpretation of characters is (to me) very different from each other. I think Id get through Lurhmans movie understanding whats being said more than Zefferellis movie. The language in Lurhmans is more understanding than Zefferellis definitely. The way they dress is different, tights to trousers and so on. Rucushio in the modern one is more lively and understandable. In the old one he doesnt really know what hes on about, hes a step in step out person. The themes of the plays that I see if love, hatred, revenge, life and death. Maybe not a lot of revenge in Zefferellis. Lurhmans has everything, you can feel the themes of his version when watching his movie. Zefferellis you just cant really enjoy it mostly because its old. The concepts I would use if I was to stage William Shakespeares Romeo and Juliet would be the modern language, the modern setting and clothes. Maybe the guns instead of the swords, or using the guns and the swords in the one play. Make the setting what its like today not 6-7 years ago even though nothing has changed a bit. A scene I want to compare in both versions of Romeo and Juliet is the scene just at the end of each film at the chapel. They have different arrangements that happen through the whole scene. Zefferellis takes place in a dark, quiet room that isnt all that big. Romeo takes poison says his last goodbyes then Juliet awakes then is devastated and stabs herself with a dagger. Lurhmans version, Romeo takes poison, Juliet wakes up and shoots herself with a gun and they are in a much bigger chapel with neons and candles all around. My conclusion of what I have proved is that a lot has changed, the background, then clothes and the movie. We are in their 2000s not the 1900s or 1800s any more.

Definition and Examples of Pet Phrases in English

Definition and Examples of Pet Phrases in English Pet phrase is an informal term for an expression frequently used by an individual in speech and/or writing. A pet phrase may be widely known (a clichà ©, for instance) or peculiar to the individual who employs it. Examples and Observations [In the 1955 movie Kiss Me Deadly] Va-va-voom! Pretty pow! is Nick the Greeks running-gag description of Hammers sports car engines, connoting both their sexual potency and explosive potential (Nick removes two bombs from the Corvette).(Vincent Brook, Land of Smoke and Mirrors: A Cultural History of Los Angeles. Rutgers University Press, 2013)Shed work as an insurance saleswoman, save up a tidy sum of money, enjoy her days off, gazing at herself in the mirror of some brand-name stores. Who I really am . . . Who I really am . . . would become her pet phrase, but after working for three years, shed finally realize that the image shed created of herself wasnt who she really was at all.(Shuichi Yoshida, Villain, trans. by Philip Gabriel. Pantheon, 2010)Whenever his conscience pricked him too keenly he would endeavor to hearten himself with his pet phrase, All in a lifetime. Thinking over things quite alone in his easy-chair, he would sometimes rise up with these words on his lips, and s mile sheepishly as he did so. Conscience was not by any means dead in him.(Theodore Dreiser, Jennie Gerhardt, 1911) Desegregation With All Deliberate SpeedLawyers promptly set to work trying to pin down the origin and significance of with all deliberate speed. And as Supreme Court materials from the Brown [v. Board of Education] years gradually become available, scholars have made a cottage industry of working out how and why the phrase made it into the Brown order. Although the Court in Brown spoke only through its Chief Justice, Earl Warren, this was actually a pet phrase of Associate Justice Felix Frankfurter, who had used the expression deliberate speed in five different opinions since joining the Court in 1939.(James E. Clapp and Elizabeth G. Thornburg, Lawtalk. Yale University Press, 2011)Game Changer and Thinking Outside the BoxWe have to look creatively, said stadium board Chairman Don Snyder, UNLV’s acting president. We can’t get in the way of the (convention center project). . . . There’s a tremendous scramble for limited resources.No longer was Snyder rolling out hi s pet phrase of game changer to describe the stadium wish. Now, he’s using another phrase- thinking outside the box- to describe what it will take to pay for the proposed venue.(Alan Snel, UNLV Stadium Panel Members Begin Puzzling Out Funding Solutions. Las Vegas Review-Journal, February 27, 2014) Frank Sinatras Ring-a-Ding-Ding![Sammy Cahn] and the composer Jimmy Van Heusen were commissioned by [Frank] Sinatra to write a song using Sinatras catchphrase for his first Reprise album, which was called, not surprisingly, Ring-a-Ding-Ding! The phrase- like Shakespeares Hey nonny nonny- thumbed its nose at meanings and sincerity.(John Lahr, Sinatras Song. Show and Tell: New Yorker Profiles. University of California Press, 2000)Using Pet Phrases in WritingRepeat a distinctive thought or phrase of dialogue in the story. This connects an earlier part of the story to a later one without having to rely on an overt transitional device. Television shows frequently overuse this technique, giving one character a pet phrase that he repeats ad nauseam. One way to vary the device is to give it a different meaning each time its used. On Seinfeld, all the principal characters would use the same phrase, often with a different meaning, all in the same scene, creating a device all its own.(James V. Smith, Jr., The Writers Little Helper: Everything You Need to Know to Write Better and Get Published. Writers Digest Books, 2012) Pet Expressions in 19th-Century EnglandNobody who has busied himself with watching the peculiarities of contemporary speech can have failed to notice the prevalence of pet expressions. . . . The young man of the day, in particular, has a slow and sluggish mind, and can seldom be troubled to give a careful specification of the particular person or thing which forms the topic of his conversation. He finds it answers better for his purpose to choose some simple generic term which he can use when his thoughts fail him. What the trapeze is to the acrobat, his pet expression is to the modern young man. It serves as a rest to steady himself on and to sustain him until he takes his next awkward flight. Many a fall would that young man have, many an awkward hiatus or wrongly-chosen expression would there be in his discourse was not his pet phrase always near him to be rested on half-way whenever the exigencies of his narrative become too much for his powers of speech.The conversation of the y oung lady of the period is principally remarkable for its adjectives. Unlike the young man, she has rarely any pet substantive whereby to express most things that come under her notice; it may be that she refrains to use her brothers phrases for fear of being considered slangy. But she rejoices in a curious collection of qualifying adjectives, by the aid of which she manages to make her meaning known. Anything that pleases her, from a bracelet to a sunset, is dabbed by the title of quite too lovely, while its antithesis, whether used in reference to a public calamity or a bad floor at a dance, is pronounced to be quite too dreadful. Any act of kindness bestowed upon this young person wins from her the remark that such attention is truly affecting, and with this pet phrase, and a few more lovelys and preciouses, varied and qualified by the word quite and too being prefixed to them either singly or together, she manages to rub along very well. . . .The good talker has gone out of fash ion, and would now be voted a prosy old bore; it is not the fashion to be careful about the way you express a thing, or to appear to be giving yourself much trouble in entertaining your hearers. The words of the modern young man come out in disjointed fragmentsmuch as one might expect a Dutch doll to talk was it blessed with the power of speech; his sentences seem as if they dropped out of his lips without his own volition.He has one favorite word at a time, and he wears it threadbare. If you can understand it, all the better for you; if not, you would not like to show your ignorance by asking; so the young man distinctly scores one there. His pet phrase covers his ignorance or his laziness, and he is borne along with the tide instead of having to row against the stream.(Pet Expressions. Household Words: A Weekly Journal, January 5, 1884)Also  See:   BuzzwordCatchphraseChunkColloquialismPhraseSlangVogue Word